The Love Language is an indie rock band from Raleigh, North Carolina headed by Stuart McLamb.
The Love Language finds its
The Love Language is an indie rock band from Raleigh, North Carolina headed by Stuart McLamb.
The Love Language finds its origins amidst a torrent of quarter-life crises and angst. Following a split with his then current band, The Capulets, Stuart McLamb suffered a break-up with his girlfriend and fell into a serious drinking binge which ended in him waking up with his extremities bound. McLamb then retreated to his parent's house where he began recording the emotional demos that would spawn The Love Language. While recording personal songs meant to be heard only by his ex-girlfriend a handful of friends, McLamb hit a creative vein, fueling the transition from small experiment to full-blown recording project. A band was later formed in order to play live shows.
The Love Language combines bleeding-heart pop, lo-fi energy, and the indie sensibility of bubbly instrumentals to create intelligent and endearing tracks.
McLamb's eponymous first album, The Love Language, met some critical success after its release to Bladen County Records; David Menconi of Spin Magazine wrote, "McLamb's songs -- a mix of moody piano ballads and bouncy guitar rock -- are aching love letters to his ex that combine the emotional directness of Big Star with the raw immediacy of Guided by Voices." Recorded entirely by McLamb, the album caught the attention of fellow North Carolina rockers, The Rosebuds, who asked if The Love Language would open for them. A band was then formed with Missy Thangs (keyboard) and Stuart's brother, Jordan McLamb (drums).
They were subsequently signed to Durham-based Merge Records, which released their second album Libraries in July, 2010. Unlike the first album, "Libraries" was recorded in a traditional studio with help from producer BJ Burton. Though Stuart wanted to keep the energy of the lo-fi sound, he noted of Libraries in an interview with Creative Loafing that "you've got a lot of raw emotion of the first record and vibrancy in spirit, but I lacked some of the engineering expertise for better or worse. On the second one, I did it in a studio with an engineer who I was able to work with very well. He made it an equally enjoyable process." Burton was also recruited to play guitar while touring along with Missy, Jordan, and Justin Rodermond (bass), an old friend of McLamb's.